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The Catalogue by Chris Oakley is to be part of #watch22 exhibition, Mainz, Germany 8th May- 7th June 2015.

Athens Digital Arts Festival 2015

Work by Chris Oakley to appear in the Public Space_s programme at the 11th Athens Digital Arts Festival, May 21 – 24, 2015.

Carroll/Fletcher Onscreen

Half-Life by Chris Oakley is to screen in the Carroll / Fletcher Gallery Onscreen programme, 10th-16th March 2015.

Magic Lantern Cinema

The Catalogue by Chris Oakley to screen as part of the Masses and Swarms programme, Magic Lantern Cinema, Providence, Rhode Island, USA, 5 February 2015 at 7:00 pm

Archive Twitch Belgrade

Revisions to screen in the Archive Twitch programme curated by Doplgenger (Isidora Ilić & Boško Prostran) at Americana Hall, Belgrade Youth Centre, 25/12/14 at 7pm

Alles bleibt anders

The Catalogue by Chris Oakley to appear in Alles bleibt anders – Eine Ausstellung zu Kulturtechniken im Digitalen Tieranatomisches Theater,  Humboldt-Universität zu Berlin, Campus Nord, Philippstr. 12/13, 10115 Berlin, Germany, form 10th October 2014

Internationale Kurzfilmtage Oberhausen

Revisions to screen as part of the Lightcone Programme, Internationale Kurzfilmtage Oberhausen, 02/05/14.

Lightcone Distribution

Exchanges, The Catalogue, Sight/Seeing, Clockwork and Half-Life are now in distribution with Lightcone, Paris. Titles will feature in the upcoming Lightcone preview show, aimed at programmers and curators, from the 11th until the 13th of September at Lightcone’s offices.

Museum für Kommunikation Frankfurt

The Catalogue to appear in the exhibition Control, Museum für Kommunikation Frankfurt, October 2013-October 2014

Nuclear Culture on Film

Half-Life is be screened at Nuclear Culture on Film, Sunday 28 April 2013, 11am – 5.30pm. The Arts Catalyst, London. Mark Aerial Waller / Isao Hashimoto / Sandra Lahire / Otolith Group / Eva & Franco Mattes / Chris Oakley / Yelena Popova A programme of artists’ films investigating nuclear culture from the perspective of the 21st Century reflecting on 1980s feminist experimental film and activism, gritty dramatic satire of the 1990s, and recent video-essay works from 2009 – 2012. […]